How do you choose the best photo editing software? We’ve picked the best paid-for mainstream photo editing programs that will work on both Mac and PC, and we’re looking for ease of use, quality of results, versatility or pixel-crunching power. There are also free, mobile or online photo editors out there but we’ll keep those for another guide. The answer to the best photo editor question used to be easy – get Photoshop. It’s become clear, though, that photographers and enthusiasts want more than Photoshop can offer. It doesn’t catalog your growing photo library and it doesn’t give you ideas and inspiration to feed your creative vision. Basically it’s just a big box of spanners.

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1. Photo Blending Free

Photo Blending Free

Layover - Photo Blending Application about From the makers of Diptic, Layover is a photography app that lets you blend the colors and textures of up to five photos to create a single image. Fun Photo Creator - ZeallSoft FunPhotor is fun and easy to use photo blending software, a fun-filled Windows application that lets you blend your family portraits with well known artwork to.

So we’ll kick off with the complex little ecosystem that is Adobe’s subscription-based Photography Plan, then look at alternatives that deliver better quality, better organisation, better inspiration or just better value. These are not in any particular order since each program has its own particular strengths, so make sure you keep going to the end of the list, because there’s something here for everyone. Adobe Photoshop CC.

Subscription required Photoshop is still the go-to image-editing tool for artists, illustrators and designers, but photographers have a different bunch of needs that might be better met these days by a cataloguing/enhancement tool like Lightroom or an effects tool like Alien Skin Exposure X3. Photoshop’s layering, masking and retouching tools are still the standard by which all others are judged, but it’s designed for painstaking work on single images, or multi-layer composites, rather than quick day-to-day editing. The only way to get Photoshop now is via an Adobe subscription. The regular Photography Plan is best value and also gets you Lightroom CC and Lightroom Classic as well. Adobe Photoshop Lightroom CC. Doesn't support plug-ins Where Photoshop is for detailed manipulation, Lightroom concentrates on image organisation and regular photo enhancements. Now, though, there are two versions.

The ‘old’ one has been rebranded Lightroom Classic (see below) while the ‘new’ Lightroom CC offers a streamlined interface and integrated cloud storage. You can get Lightroom CC and 1GB storage for the same price as the regular Photography Plan, but you don’t get Photoshop, which is a significant drawback. Lightroom CC is super-slick to use, but it’s missing a couple of tools in Lightroom Classic and it doesn’t support plug-ins and external image-editors except for Photoshop. If you want Lightroom and Photoshop AND 1GB storage the plan costs twice as much ouch.

Adobe Photoshop Lightroom Classic CC. Subscription required Lightroom and Photoshop are the perfect double-act. One takes care of organising and enhancing your photos while the other handles any more complex layers-based image manipulation. Lightroom Classic is the old ‘full fat’ version of Lightroom.

It feels a bit more ponderous and complicated than the cloud-based Lightroom CC, but it is more powerful and does support plug-ins. You get both Photoshop and Lightroom CC/Classic as part of Adobe’s subscription-based Photography Plan and, to be honest, this combination is good value and takes some beating.

For many, though, the idea of paying a subscription to use software is just too much to swallow, which is why we’re going to move swiftly on to the rest of our list. PhaseOne Capture One Pro 11. No mobile apps Capture One covers almost exactly the same territory as Adobe Lightroom Classic, offering cataloguing tools, seamless raw processing, manual image enhancement tools alongside preset effects and a non-destructive workflow that means you can revisit your adjustments at any time. Its raw conversions are sharper and less noisy than Adobe’s, but it doesn’t support such a wide range of camera raw formats or as large a number of lens correction profiles. It doesn’t have Adobe’s mobile apps and online synchronisation options either, but it does offer professional-grade ‘tethering’ tools for studio photographers capturing images via a computer.